2011 - Present

the life and mission of Sor consuelo bracelo y pages

2012 4'x8' oil on canvas

This mural is in honor of Sor Consuelo, the co- foundress of the congregation that founded La Consolacion College Bacolod.

This painting supported by research through
document review of existing historical records on the nomination of Sor Consuelo's sainthood serves as a visual narrative of the life and martyrdom of Sor Consuelo.

This was donated to La Consolacion College Bacolod as my gratitude and legacy to the institution that supported me and my family through the years.

panaad sang kababaihan sang negros

2022 acrylic on canvas 40"x60"

The five representations of women of Negros serve as forms of emancipated multiple significations from the typical "Maria Clara" and Madonna art archetypes. It reimagines the untold role and narratives of women leading a revolution in the history of  he Negros islands. The woman with an "agimat" draped around her neck holding a faux rifle made of "nipa" stem manifests the unflinching will of Negrosanons to resist repressive-oppressive foreign and systemic forces preventing their right to self-determination (in the guise of the 4 lin-ays of Negros from the left). A most profound allegorical depiction in the lens of the female gaze vis-a-vis the 1898 Cinco de Noviembre revolutionary tale hinged on the masonic myth of Gen. Juan Araneta.

Curatorial notes by:
Mel Aguilar Maestro, M.A. Women, Art & Media Studies Scholar
University of the Philippines Diliman

Visayan lullaby

2021 acrylic on canvas 30"x30"

The Sto. Niño is a most venerated religious icon of fertility, luck, and good tidings. A Visayan mother lulls her child to sleep while singing songs of praise and earnest pleading to the holy child during colonial times.

PANDEMYA (PANDEMIC)

2021 CHARCOAL ON OIL 7.5" X 22"

The unimaginable effect of the pandemic resulted in economic loss for most Filipinos. This street vendor persistently continues with his affairs even it means risking his health, safety, and ultimately, his life.